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William Last KRM’s new single “I” is a vibey ode to his journey and hustle. Stream it

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William Last KRM’s “I” is a vibrant celebration of individuality and resilience. Teaming up with Fella On The Beat, the Botswana artist delivers playful yet profound lyrics, reminiscing about the past and confidently asserting his uniqueness. The catchy chorus emphasizes the positive vibe he brings to every situation. With clever wordplay and pop culture references, the song showcases William Last KRM’s creativity. Backed by energetic production, “I” is an engaging anthem that highlights the artist’s commitment to staying true to himself.

Lyrics:

(It’s the William to the Last boy) Ya h Kgale ke tsaya dinepe Di’fan di nkopa di bell Mathata ba letsa magare masigo ba mpotsa ‘ntwana are you well?’ Of cause ntwana ke well Everything sabawell 2010 neke ghaola beef stew shabela ka mabele My whole life nkare scam People stab me in the back It’s kind of sad that I care for people but bone they care less I got a hype can’t you tell I can be Samuel L. Jackson Indeed I’m too deep Kego betsa o tsenye bandage Motsetserepa se ba neele Sukunyetsa till bana ba utlwa Ba kue Ba sie From there oba tlogele Heelang Siang koo Y’all are not safe for my glory When I say tshasa mello I pray so hard for madlozi 

I, I I, I 

Everytime when I’m in the spot it’s a vibe 

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No I’m not lying I got the vibe 

Yeah I’m moving smooth super weird like Mordecai 

I, I I, I I, I I, I 

Ya h I got the vibe everywhere I go Betsa short shaya ding dong When I get the money I stay indoor Lot of people want to see me broke I got the balls not regular size Sometimes di ntlhabisa kgala 0 ntshwara mapele kego roba letheka, molala coz gake batle go kwata Bare ‘William Last too basic’ In that case then y’all are classic I live my life ka masiki Hope that part you get it If you read a bible and you need some answers I’ll get them for you ke Bartholomew Thousand people ke ditsala tsame when it gets staff I only see a few People busy making fun of me If they knew what I been through Nna ke podi Nna ke kgosi My résumé is very neat If you sniff me I smell good And my voice sounds pretty cool Ke ratwa hela jaaka Bull and Bush Ooouuu 

I, I I, I 

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Everytime when I’m in the spot it’s a vibe 

No I’m not lying I got the vibe 

Yeah I’m moving smooth super weird like Mordecai 

I, I I, I I, I I, I 

I, I I, I 

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Everytime when I’m in the spot it’s a vibe 

No I’m not lying I got the vibe 

Yeah I’m moving smooth super weird like Mordecai 

I, I I, I I, I I, I 

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Lord Rico’s ‘Ignore The Fineprint’ is OUT

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Some new music from Lord Rico and he’s pouring his heart out on this song. Take time to stream this and tap into what he’s saying, visualizer video included

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Stream Hippy Bambino’s ‘Summer Breeze’ feat. Quxncy, Lissie Rob, Chubbito & Apollo D

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Check out the latest summer-themed song from Hippy Bambino, featuring Quxncy, Lissie Rob, Chubbito, and Apollo D. This cool, 90s-inspired hip-hop track captures a laid-back vibe and celebrates having fun with music. It’s an exciting time for the Hippy Bambino brand as they expand beyond clothing and tap into the music scene. Stream it here.

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One Take 267 Drops Fiery ‘Run the Payment’ Freestyle

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One Take 267’s “Run the Payment” freestyle is the latest addition to his impressive catalogue. Over a hard-hitting, drill-inspired beat, One Take 267 once again flexes his prowess and street credibility with lines like, “Run the payment in cash, bring it to 20s, 50s, and 100s.” His delivery is raw and honest, never afraid to test himself, while reflecting his deep ties to the streets.

He navigates the beat with ease, dropping bars about moving with “heathens, shot callers, street bandits,” and emphasizing his commitment to authenticity. One Take 267 declares he’s no regular rapper, eschewing idle chatter for silent moves: “No chit chat ting no more, talk about moving in silence.”

This freestyle is a powerful display of One Take 267’s talent and his genuine connection to the street life, making it clear that he’s more than just a player in the game. He’s solidifying his position as a significant force in the hip-hop world.

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