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Why LATTY & Yung Amazing’s #BootyButtChicks is causing such a stir
It’s the year 2020, young Botswana is steady self-expressing and as one might know our very conservative culture is often quick to mute and even call out “morogano” or vulgarity, mainly because it’s spoken of in hush tones. This became very obvious over the last couple of days when one pony-tailed fashionista Latty became the latest in a number of higher-profile run-ins with Botswana’s law enforcement, specifically for the remix to his and Yung Amazing’s #BootyButtChicks which features Ozi F Teddy, William Last KRM, Leggacy DG.
The visuals aren’t shy when it comes to expressing what the lyricist wrote about and showing considerable amount off flesh is very illegal in this here country, add in the current lockdown laws and social distancing and the young men had a recipe for some attention grabbing creative product. Watch the video here and see the video for yourself.
In a time when much of music feels like a race forward, KX Legit takes a moment to look back. His latest track, “Gopola Gae” (feat. And Spaces, Veezo View & Bouncy), is a meditative, well-executed reminder to touch base with home—not just as a location, but as a state of mind.
Sonically, the track blends introspective energy with clean, mellow production. There’s a sense of reflection built into the instrumentation—nothing overdone, just enough to carry the weight of the message. KX Legit opens the track with clarity, weaving memory, ambition, and humility into his verses.
And Spaces provides a melodic texture that gives the track emotional lift, while Veezo View steps in with his signature smooth delivery, grounding the song with a sense of cool realism. Bouncy adds just the right layer of soul to close it out, rounding the feature lineup with warmth.
The official music video takes the sentiment even further. Shot with an eye for natural beauty and everyday moments, it leans into imagery that’s familiar—dust roads, family homes, faces you don’t forget. There’s no attempt to glamorize; instead, it captures the quiet pride and complexity of remembering where you come from.
“Gopola Gae” is thoughtful, heartfelt, and sonically tight—a track that reminds us that in chasing dreams, we should never lose sight of the ground we were built on.
William Last KRM is back with “Off My Chest Freestyle,” a raw, no-holds-barred drop that lets his bars do the talking. Stripped-down production, razor-sharp delivery—this is William in pure hip-hop mode.
No gimmicks, no filters. Just real talk and a beat to match. If you doubted his rap game, this one sets the record straight.
BOITUMELO delivers heartbreak with unshaken honesty. Han-C’s vocals carry the weight of regret, while Flex The Ninja’s production builds a haunting, immersive atmosphere. Then Ey Brizzy steps in, turning pain into poetry.
His verse feels like a late-night conversation with yourself, the kind where truth hits harder than you’re ready for. The late-night texts, the quiet acceptance of betrayal, the forced composure—each line lands heavy. “Babe don’t lie ‘cause I probably know you were satisfying another porcupine,” isn’t just a clever line, it’s a gut-punch, the moment reality settles in.
The visuals mirror the song’s weight—moody, deliberate, giving the emotions space to breathe. At 2:03, everything intensifies.
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