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Watch MOONGA K.’s ‘Who’s it gonna be?” featuring. PHFAT) [Emotion Picture]

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“who’s it gonna be?” you ask? It definitely has to be Moonga whose new music, visuals and everything is next level, outer-terrestrial and all the tags deserving on this unbelievable talent. These visuals are so beautiful, so emotive and you can tell that a lot of work went into it as evidenced by the very long cast/crew that appear on the credits (see below video). For now, just press play and enjoy

written & directed by: WARD cinematography: deon van zyl produced by: nick voortman production design: wendy fredriksson edited by: xander vander vfx artist: gavin coetzee at wicked pixel colourist: joseph bicknell at company 3 casting director: hana jayne sho title design: daniel ting chong costume design: unathi mkonto wardrobe assistant: sharon nobuhle nxam make up: alice coloriti hair: kelvin takudzwa hair & make-up assistant: monique gazzilli executive producer: emma lundy production manager: machon du toit production coordinator: ashleigh denett cast coordinator: asher daniel production company: giant films production assistant: eyad zarandah choreographer: luke de kock stunt coordinators: gideon schoor & craig ginsberg focus puller / loader: mark van zyl trainee: tafadzwa pasi dit: michael rixen gaffer: bernie de wet bb lights: nathan erasmus spark: steven samson spark: brian thompson key grip: stephen knipe bb grips: zane kassiem props assistant: tobias linders sfx technicians: hermie venter & delon baatjies club light techs: lindsay barton, willem coetzer & kenny beverley led dimmer tech: gideon naude unit assist: cyprian obase medic / covid-19 safety: michael du plooy catering team leader / driver: khanyise mangweni catering assist: sipho manjezi craft team leader: chantel sithole craft driver: desy suweni

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KX Legit – Gopola Gae (feat. And Spaces, Veezo View & Bouncy) [Official Music Video]

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In a time when much of music feels like a race forward, KX Legit takes a moment to look back. His latest track, “Gopola Gae” (feat. And Spaces, Veezo View & Bouncy), is a meditative, well-executed reminder to touch base with home—not just as a location, but as a state of mind.

Sonically, the track blends introspective energy with clean, mellow production. There’s a sense of reflection built into the instrumentation—nothing overdone, just enough to carry the weight of the message. KX Legit opens the track with clarity, weaving memory, ambition, and humility into his verses.

And Spaces provides a melodic texture that gives the track emotional lift, while Veezo View steps in with his signature smooth delivery, grounding the song with a sense of cool realism. Bouncy adds just the right layer of soul to close it out, rounding the feature lineup with warmth.

The official music video takes the sentiment even further. Shot with an eye for natural beauty and everyday moments, it leans into imagery that’s familiar—dust roads, family homes, faces you don’t forget. There’s no attempt to glamorize; instead, it captures the quiet pride and complexity of remembering where you come from.

“Gopola Gae” is thoughtful, heartfelt, and sonically tight—a track that reminds us that in chasing dreams, we should never lose sight of the ground we were built on.

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William Last KRM – Off My Chest (Kush Cover)

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William Last KRM is back with “Off My Chest Freestyle,” a raw, no-holds-barred drop that lets his bars do the talking. Stripped-down production, razor-sharp delivery—this is William in pure hip-hop mode.

No gimmicks, no filters. Just real talk and a beat to match. If you doubted his rap game, this one sets the record straight.

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Watch Han-C , Flex the Ninja’s ‘BOITUMELO’ featuring Ey Brizzy

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BOITUMELO delivers heartbreak with unshaken honesty. Han-C’s vocals carry the weight of regret, while Flex The Ninja’s production builds a haunting, immersive atmosphere. Then Ey Brizzy steps in, turning pain into poetry.

His verse feels like a late-night conversation with yourself, the kind where truth hits harder than you’re ready for. The late-night texts, the quiet acceptance of betrayal, the forced composure—each line lands heavy. “Babe don’t lie ‘cause I probably know you were satisfying another porcupine,” isn’t just a clever line, it’s a gut-punch, the moment reality settles in.

The visuals mirror the song’s weight—moody, deliberate, giving the emotions space to breathe. At 2:03, everything intensifies.

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