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Watch Danielle Swagger’s “La Vie est Belle”

Motswana female rapper, Danielle Swagger drops music video visuals for “La vie est belle” taken from her upcoming solo album. The title “La vie est belle” means “beautiful life” in French, serves a different taste from her usual robust raps. The track was released 15/01/2021, produced by Stanrecords and visuals delivered by Color Island Productions based in Reunion Island.
In the track Danielle Swagger, describes the environment she lives in and how the scenery is breathtaking. In French there is a saying “ la plus belle vie c’est simple ” meaning …. the most beautiful things in life are simple. It collaborates lifestyle, character, friendship, elevation, getting money, respect and a little attitude to conclude the mission and lifestyle of the artist.
Tommy’s Diner in Saint Marie, La réunion is the location of where the shooting took place. The scenery of the music video directed by Christophe Durand, is placed in a 60’s style where many images of American icons; marylin manroe, James Deen, Malon Bando just to name a few can be seen in the background, with designs from PouPou Pidou, The 60’s were a decade of change for women therefore merging the idea of the song with the artists outfits which were inspired by the Booty bap look, designed by Poupou pidou, others by Lycée Ambroise Vollard while Beauté Institut and Véronique Roset (Make Up Artist) helped bring everything to life as sponsors. These brilliant works are the first of it’s kind for a female rapper coming from Botswana.
Danielle Swagger would like to urge her fans to strongly rally behind her, as we are approaching the release of her first solo album titled “Are You Ready?” For more insight on artist, please read below article https://t.co/tC3mntJMgJ?amp=1
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KX Legit – Gopola Gae (feat. And Spaces, Veezo View & Bouncy) [Official Music Video]

In a time when much of music feels like a race forward, KX Legit takes a moment to look back. His latest track, “Gopola Gae” (feat. And Spaces, Veezo View & Bouncy), is a meditative, well-executed reminder to touch base with home—not just as a location, but as a state of mind.
Sonically, the track blends introspective energy with clean, mellow production. There’s a sense of reflection built into the instrumentation—nothing overdone, just enough to carry the weight of the message. KX Legit opens the track with clarity, weaving memory, ambition, and humility into his verses.
And Spaces provides a melodic texture that gives the track emotional lift, while Veezo View steps in with his signature smooth delivery, grounding the song with a sense of cool realism. Bouncy adds just the right layer of soul to close it out, rounding the feature lineup with warmth.
The official music video takes the sentiment even further. Shot with an eye for natural beauty and everyday moments, it leans into imagery that’s familiar—dust roads, family homes, faces you don’t forget. There’s no attempt to glamorize; instead, it captures the quiet pride and complexity of remembering where you come from.
“Gopola Gae” is thoughtful, heartfelt, and sonically tight—a track that reminds us that in chasing dreams, we should never lose sight of the ground we were built on.
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William Last KRM – Off My Chest (Kush Cover)

William Last KRM is back with “Off My Chest Freestyle,” a raw, no-holds-barred drop that lets his bars do the talking. Stripped-down production, razor-sharp delivery—this is William in pure hip-hop mode.
No gimmicks, no filters. Just real talk and a beat to match. If you doubted his rap game, this one sets the record straight.
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Watch Han-C , Flex the Ninja’s ‘BOITUMELO’ featuring Ey Brizzy

BOITUMELO delivers heartbreak with unshaken honesty. Han-C’s vocals carry the weight of regret, while Flex The Ninja’s production builds a haunting, immersive atmosphere. Then Ey Brizzy steps in, turning pain into poetry.
His verse feels like a late-night conversation with yourself, the kind where truth hits harder than you’re ready for. The late-night texts, the quiet acceptance of betrayal, the forced composure—each line lands heavy. “Babe don’t lie ‘cause I probably know you were satisfying another porcupine,” isn’t just a clever line, it’s a gut-punch, the moment reality settles in.
The visuals mirror the song’s weight—moody, deliberate, giving the emotions space to breathe. At 2:03, everything intensifies.
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