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Samantha Mogwe & Mpho Sebina celebrate the power of sunrays in ‘Marang’

Samantha Mogwe is excited to announce the release of her latest music video, Marang, which
features the artistically gifted Mpho Sebina. The video is set to drop on May 12th, 2023, and
promises to be a visual feast for fans.
Get ready to be swept away by the powerful and uplifting sounds of soul music as two
talented songstresses release a new music video “Marang”. Samantha Mogwe and Mpho
Sebina have joined forces to create a visual masterpiece that celebrates the transformative
power of the sun’s rays.
Marang is an ethereal and audio-delectable track that showcases Samantha Mogwe’s
signature sound. The music video, directed by Benstar the Cinematographer, features
stunning visuals that perfectly complement the song’s composed and surreal pace. Fans can
expect to see a visually pleasing tapestry of Samantha and Mpho Sebina in an otherwise
desolate area. Also featured in this video is a pregnant dancer, Angie Amba, who embodies
the idea of a “celebration of the newness of life that has come to bring light”, “Marang a
letsatsi a gasitse gotlhe!”
“I am thrilled to be releasing this music video,” said Samantha. “We had fun filming it and
can’t wait for our fans to see the finished product. We think they’re really going to love it,
especially since Mpho and I have been getting questioned about when we will work
together.”
Marang is one of the radio singles off of Samantha’s EP titled “VII”, which was released in
September 2022. The music video for Marang will be available to watch on Samantha Mogwe’s VEVO channel starting on Friday, May 12th, 2023. Fans can also stay up to date on all things “Samantha
Mogwe” by following her on her social media handles @samanthamogwe.
For more information or to arrange an interview with Samantha Mogwe and Mpho Sebina,
please contact Kabelo Rapinyana or Lebowa Moroen at +267 75715163/ 72783797 or email:
info@samanthamogwe.com or rapinyanak@amblepromotions.co.bw.
Video
KX Legit – Gopola Gae (feat. And Spaces, Veezo View & Bouncy) [Official Music Video]

In a time when much of music feels like a race forward, KX Legit takes a moment to look back. His latest track, “Gopola Gae” (feat. And Spaces, Veezo View & Bouncy), is a meditative, well-executed reminder to touch base with home—not just as a location, but as a state of mind.
Sonically, the track blends introspective energy with clean, mellow production. There’s a sense of reflection built into the instrumentation—nothing overdone, just enough to carry the weight of the message. KX Legit opens the track with clarity, weaving memory, ambition, and humility into his verses.
And Spaces provides a melodic texture that gives the track emotional lift, while Veezo View steps in with his signature smooth delivery, grounding the song with a sense of cool realism. Bouncy adds just the right layer of soul to close it out, rounding the feature lineup with warmth.
The official music video takes the sentiment even further. Shot with an eye for natural beauty and everyday moments, it leans into imagery that’s familiar—dust roads, family homes, faces you don’t forget. There’s no attempt to glamorize; instead, it captures the quiet pride and complexity of remembering where you come from.
“Gopola Gae” is thoughtful, heartfelt, and sonically tight—a track that reminds us that in chasing dreams, we should never lose sight of the ground we were built on.
Video
William Last KRM – Off My Chest (Kush Cover)

William Last KRM is back with “Off My Chest Freestyle,” a raw, no-holds-barred drop that lets his bars do the talking. Stripped-down production, razor-sharp delivery—this is William in pure hip-hop mode.
No gimmicks, no filters. Just real talk and a beat to match. If you doubted his rap game, this one sets the record straight.
Video
Watch Han-C , Flex the Ninja’s ‘BOITUMELO’ featuring Ey Brizzy

BOITUMELO delivers heartbreak with unshaken honesty. Han-C’s vocals carry the weight of regret, while Flex The Ninja’s production builds a haunting, immersive atmosphere. Then Ey Brizzy steps in, turning pain into poetry.
His verse feels like a late-night conversation with yourself, the kind where truth hits harder than you’re ready for. The late-night texts, the quiet acceptance of betrayal, the forced composure—each line lands heavy. “Babe don’t lie ‘cause I probably know you were satisfying another porcupine,” isn’t just a clever line, it’s a gut-punch, the moment reality settles in.
The visuals mirror the song’s weight—moody, deliberate, giving the emotions space to breathe. At 2:03, everything intensifies.
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