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“PRAY” Official Music Video by Uber Prync 3G ft. Kaey Maxx, President TSS & TM Lee | Directed by Donald Slade

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Uber Prync 3G is a talented Motswana artist who has recently made waves with his brand-new single titled “Pray.” Born as Prince Aobakwe Papatso on April 24, 2000, he hails from the villages of Moiyabana and Shoshong in Botswana. As an artist, Uber Prync 3G primarily focuses on the genres of Hip Hop and Gospel Rap, blending elements of both to create a unique musical style.

“Pray,” his latest single released on April 29, 2022, features collaborations with Kaey Maxx, TM Lee, and TSS BW. The song delivers a powerful message with its heartfelt lyrics and engaging melodies. To accompany the single, Uber Prync 3G dropped the music video on May 26, 2023. The visuals were skillfully shot by Donald Slade, adding a captivating visual dimension to the song.

Continuing his musical journey, Uber Prync 3G dropped a brand-new single in 2022 titled “Pray,” released on April 29th. The song featured collaborations with Kaey Maxx, TM Lee, and President TSS. After a year-long hiatus, he released the music video for “Pray” on May 26th, 2023, once again shot by Donald Slade.

Excitingly, Uber Prync 3G has plans to release another single this year. The upcoming solo single titled “Water 4 Me” is being put together by Obylardo. Fans can anticipate the release of this new track and can stay connected with Uber Prync 3G on social media. You can find him on Facebook as “Uber Prync 3G” and on Instagram as “Uber Prync_3g1.”

With his unique blend of Hip Hop and Gospel Rap and a series of successful releases, Uber Prync 3G is making a name for himself in the Botswana music scene. His dedication to his craft and continued musical endeavors showcase his passion for creating impactful music.

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KX Legit – Gopola Gae (feat. And Spaces, Veezo View & Bouncy) [Official Music Video]

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In a time when much of music feels like a race forward, KX Legit takes a moment to look back. His latest track, “Gopola Gae” (feat. And Spaces, Veezo View & Bouncy), is a meditative, well-executed reminder to touch base with home—not just as a location, but as a state of mind.

Sonically, the track blends introspective energy with clean, mellow production. There’s a sense of reflection built into the instrumentation—nothing overdone, just enough to carry the weight of the message. KX Legit opens the track with clarity, weaving memory, ambition, and humility into his verses.

And Spaces provides a melodic texture that gives the track emotional lift, while Veezo View steps in with his signature smooth delivery, grounding the song with a sense of cool realism. Bouncy adds just the right layer of soul to close it out, rounding the feature lineup with warmth.

The official music video takes the sentiment even further. Shot with an eye for natural beauty and everyday moments, it leans into imagery that’s familiar—dust roads, family homes, faces you don’t forget. There’s no attempt to glamorize; instead, it captures the quiet pride and complexity of remembering where you come from.

“Gopola Gae” is thoughtful, heartfelt, and sonically tight—a track that reminds us that in chasing dreams, we should never lose sight of the ground we were built on.

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William Last KRM – Off My Chest (Kush Cover)

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William Last KRM is back with “Off My Chest Freestyle,” a raw, no-holds-barred drop that lets his bars do the talking. Stripped-down production, razor-sharp delivery—this is William in pure hip-hop mode.

No gimmicks, no filters. Just real talk and a beat to match. If you doubted his rap game, this one sets the record straight.

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Watch Han-C , Flex the Ninja’s ‘BOITUMELO’ featuring Ey Brizzy

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BOITUMELO delivers heartbreak with unshaken honesty. Han-C’s vocals carry the weight of regret, while Flex The Ninja’s production builds a haunting, immersive atmosphere. Then Ey Brizzy steps in, turning pain into poetry.

His verse feels like a late-night conversation with yourself, the kind where truth hits harder than you’re ready for. The late-night texts, the quiet acceptance of betrayal, the forced composure—each line lands heavy. “Babe don’t lie ‘cause I probably know you were satisfying another porcupine,” isn’t just a clever line, it’s a gut-punch, the moment reality settles in.

The visuals mirror the song’s weight—moody, deliberate, giving the emotions space to breathe. At 2:03, everything intensifies.

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