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Ezra Neethings’ “Go ka tweng” reimagination is a masterstroke on Urban music paying respect to the OGs. Watch (PERFORMANCE VIDEO)

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“GO KA TWENG? GO KA THUSA… KA ENG? KA LETSHOGO JA GAGWE. LE MOKGORO NKA O SIKARA, KA TSWA MO DIPOITSHEGONG”, the song originally sung by Gaotwesepe Gopolang from Mmashoro is synonymous with Botswana, from years when this land knew no prosperity, and has now been reimagined masterfully by a voice that is fast becoming one of Botswana’s favorites.

The Danko hitmaker took time to lace word on a modern Afrobeat-sounding dance rhythm while embodying the old style vibrating vocal style that became the signature sound of Botswana’s first radio station. Ezra did this song justice in my opinion, anyone that knows Botswana’s music history will come to appreciate this as a piece that prolongs this song’s life and introduces the original to a new generation. We love it here, so watch as Ezra performs this with Re Mmogo visuals behind the lens.

Ezra Neethings Go ka tweng (PERFORMANCE VIDEO)

Below is a clip from 1940’s Botswana using Mme Gaotwesepe Gopolang original recording,

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Lord Rico’s ‘Ignore The Fineprint’ is OUT

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Some new music from Lord Rico and he’s pouring his heart out on this song. Take time to stream this and tap into what he’s saying, visualizer video included

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Stream Hippy Bambino’s ‘Summer Breeze’ feat. Quxncy, Lissie Rob, Chubbito & Apollo D

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Check out the latest summer-themed song from Hippy Bambino, featuring Quxncy, Lissie Rob, Chubbito, and Apollo D. This cool, 90s-inspired hip-hop track captures a laid-back vibe and celebrates having fun with music. It’s an exciting time for the Hippy Bambino brand as they expand beyond clothing and tap into the music scene. Stream it here.

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One Take 267 Drops Fiery ‘Run the Payment’ Freestyle

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One Take 267’s “Run the Payment” freestyle is the latest addition to his impressive catalogue. Over a hard-hitting, drill-inspired beat, One Take 267 once again flexes his prowess and street credibility with lines like, “Run the payment in cash, bring it to 20s, 50s, and 100s.” His delivery is raw and honest, never afraid to test himself, while reflecting his deep ties to the streets.

He navigates the beat with ease, dropping bars about moving with “heathens, shot callers, street bandits,” and emphasizing his commitment to authenticity. One Take 267 declares he’s no regular rapper, eschewing idle chatter for silent moves: “No chit chat ting no more, talk about moving in silence.”

This freestyle is a powerful display of One Take 267’s talent and his genuine connection to the street life, making it clear that he’s more than just a player in the game. He’s solidifying his position as a significant force in the hip-hop world.

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