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Daneille Swagger x Queen Favie – BadAss
The unexpected and unlikely meeting of 2 rappers, “Queen Favie” from Reunion Republic and “Daneille Swagger” from Botswana led them
to collaborating on a single titled “Bad Ass”.
“Badass” has several meanings. The first that often comes to mind is “hard to tame” or “bad attitude”.
Yet, in the language of today’s young people, Badass is used to describe someone “charismatic” and with “strong character”.
The two women with strong characters and a style that does not leave indifference, combine their strength to bring a loud and strong subject that is important to them, that of women and more especially, that of black women, who suffer from the misogyny.
They wish to address the forms of misogyny suffered in the life of a woman, in the professional or personal environment, that one must remain strong and not hesitate to impose the “Woman Power Attitude”!
For this Queen Favie and Danielle Swagger hoist the flag with the title “Badass” !!! This collaboration has been set up and is carried by Christophe Durand, representative of the BlxckMail Ent label. (Botswana) and manager of Danielle Swagger and Rafael Janowicz, manager of Queen Favie and president of the Urban Roots association who carries the project “Queen Favie”.
Collaborators on this project: The beatmaker JT SpecialBoy (Botswana), The photographer Olivier LARDEUX (Reunion), The artist “DJ Krazy Ice” (Reunion Island) at the level of voice and mixing Rudy Zopire – tstprodreunion (Reunion), director of Street Clip.
In a time when much of music feels like a race forward, KX Legit takes a moment to look back. His latest track, “Gopola Gae” (feat. And Spaces, Veezo View & Bouncy), is a meditative, well-executed reminder to touch base with home—not just as a location, but as a state of mind.
Sonically, the track blends introspective energy with clean, mellow production. There’s a sense of reflection built into the instrumentation—nothing overdone, just enough to carry the weight of the message. KX Legit opens the track with clarity, weaving memory, ambition, and humility into his verses.
And Spaces provides a melodic texture that gives the track emotional lift, while Veezo View steps in with his signature smooth delivery, grounding the song with a sense of cool realism. Bouncy adds just the right layer of soul to close it out, rounding the feature lineup with warmth.
The official music video takes the sentiment even further. Shot with an eye for natural beauty and everyday moments, it leans into imagery that’s familiar—dust roads, family homes, faces you don’t forget. There’s no attempt to glamorize; instead, it captures the quiet pride and complexity of remembering where you come from.
“Gopola Gae” is thoughtful, heartfelt, and sonically tight—a track that reminds us that in chasing dreams, we should never lose sight of the ground we were built on.
William Last KRM is back with “Off My Chest Freestyle,” a raw, no-holds-barred drop that lets his bars do the talking. Stripped-down production, razor-sharp delivery—this is William in pure hip-hop mode.
No gimmicks, no filters. Just real talk and a beat to match. If you doubted his rap game, this one sets the record straight.
BOITUMELO delivers heartbreak with unshaken honesty. Han-C’s vocals carry the weight of regret, while Flex The Ninja’s production builds a haunting, immersive atmosphere. Then Ey Brizzy steps in, turning pain into poetry.
His verse feels like a late-night conversation with yourself, the kind where truth hits harder than you’re ready for. The late-night texts, the quiet acceptance of betrayal, the forced composure—each line lands heavy. “Babe don’t lie ‘cause I probably know you were satisfying another porcupine,” isn’t just a clever line, it’s a gut-punch, the moment reality settles in.
The visuals mirror the song’s weight—moody, deliberate, giving the emotions space to breathe. At 2:03, everything intensifies.
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