Feature
Feature: Bally Leburu talks the #100KBucketHatMovement and the #StateOfTheArts
My good friend Karabo Leburu and I have come a long way to this day, our conversation nowadays are filled with visions of a better future for the arts and entertainment industries and we find ourselves at a common path, a few months back i picked up on an initiative that he’s been championing for the arts space and straight away new that it was something that i wanted to get involved with. I’ll let the man’s words speak for themselves, read up on what he has to say
“Ladies and gentlemen
I would like to start my State of the Arts speech by reading a Facebook post by Leo Baakalani Malomo that he posted on the 4th of October 2017 at 3:33pm” – Bally
“South African “young” artists are busy buying houses making their country proud and inspiring kids while we are still saving for these cheap Mogoditshane cars and our government is not even embarrassed by that? 😏 The next thing y’all complain ka bogodu jo bo dirwang ke banana, tell me who is going to inspire them? Who’s going to show them they can make a living out of their talent besides bogodu? Some of them didn’t make it at school all they know is music but ba nna ba bona di artist di tshela life ya tomaganyo, no one is gonna be inspired by a broke person no matter how good your music is.
We always hear budgets for arts ke bo 50million but we don’t even get close to that money, check our bank accounts they are our witnesses all we do is live fake lives to try look good in people’s eyes for them to take us seriously and try give kids in the streets hope, international artists are paid ma 50k and upwards rona go kgona gotwe re neela ma 3000 🙅 and they don’t even show up cause industry ya rona ya nyadiwa “well who wouldn’t” still we ain’t recognized, our buzz is way too low “e ka tlhoka jang those people who have to put our work out there ba lwela shine le rona” international artists don’t even see our work ha re na le bone mo show gatwe we should pack our cheap cars ko di fan tsa rona di packang teng re ba sutele but in other countries artists use the same packing lots, if they cared about us ne ba ka leka gore le rona re agelwe seritinyana gore these international artists ba seka ba re nyatsa but nah, i remember my group once performed alongside Scar, Ricky Lamar, Gouveia international act ele Khuli Chana, e rile Khuli a tsena abo gotwe everyone mo backstage a tswe including the local artists i mean what’s that guys? Mara in other countries gagona dilo tseo thats why you always see bo Cassper ba itsere dinepe le bo Ace hood etc that shows they were in the same space as “Artists”.
Sabotage rules the game a lot of talented artists are sabotaged their music ain’t played on radio not even on tv, we don’t even have buzz in our own country, international songs are the ones ruling in our country cause go na le baba fiwang platform le ba ba sa e fiweng in Botswana and that on its own e hokotsa di hit tsalehatshe la rona made by bana ba rona mo gae “gore you dope or not ga gore sepe mo hatsheng le”. My question is when are y’all gon learn the more the buzz, the more attention we get and the more attention we get the more recognition we get, the more recognition the more they know about our country, the more they know about our country the more the flag flies, the more the flag flies the more the opportunities for both the country and its people. Hhhhhh eish waitse nna tota ka emega bagaetsho a ra go tlogela hela talente ya bana ba Botswana e swa hela motlhofo hela jaalo? Hare sa sapote bana kagore gare dire madi ra tshwarwa, hare leka go dira madi ka talente a tswalelwa, ha re re re rekisa di drugs ra tshwarwa, hare utswa ra tshwarwa, hare tshwarwa go kwalwa ka rona mo dipampiring ra tshegwa gatwe re matlhabisa ditlhong mme ga go kake ga buiwa ka talente ya rona re go lebalwa ra lebalwa until something negative points our direction re reng? Ha ele rona bare sa tsenang sekolo iyooo? 😥 😭 🙅 #PrayForBotswanaMusicIndustry kana okare ke joke. Le tla intshwarela bathong ey nna this industry e njela nama and people are so chilled about it okare that’s the way its supposed to be 😭 unless I’m missing something. Next gatwe re bua thata, o bona haneng go chona garona go lemogiwa jaaka go bua thata ga rona okane gole botoka ahhh heee” – Leo Baakalani Malomo
“Ladies and gentlemen my name is Karabo Bally Leburu and I’ve been active in the music industry for a very long time now, 15 years to be precise.I finished my Cambridge Certificate in 2001 and I passed with second class. Upon finishing my Cambridge I was expected to go to varsity like the rest of the graduates but I made a decision not to go because I realized it was not what I wanted to do with my life.
Do I hate school? No…Not at all, in fact it was in school where I discovered my talent for writing songs. But when I finished my schooling I just wanted to do something different with my life and that thing was making music, in fact I wanted to make music so much that I’ve never worked on anything else, meaning I have never been employed my entire life.
On my journey of making music I discovered a lot of things about myself. I had always seen myself as an artist before but in subsequent years I unleashed my potential to become a producer and I did become one ‘A very dope one ’. I had never seen myself as a business person before but upon meeting one of the coolest people I’ve ever known Obakeng Obizzy Kokwe we co-founded and registered a company and named it Heaven Sent Productions, the name was inspired by the spiritual path we had embarked on during those days with some of our brothers and affiliates.
Heaven Sent Productions saw its early successes with me releasing my debut album and the record label’s very first album titled Hype On Grace. Upon the years we worked on albums by different artists including Sliq Sta, Apollo, Dramaboi, Tshepi D, Nomadic, Legare and we have made singles for artists like Fosta Juliano, Zeus, Samba T, HT, Blain and Shay…the list is endless.
After doing this for about 13 years, I stopped. I didn’t stop because I didn’t love it any more. I stopped because it wasn’t working and I had to know why. I stopped and I started looking at the industry and I realized our music industry was still at its infancy. I saw that there were no support structures for artists, I saw that our media was very small with very little resources, I saw that there was no sense of pride and unity and most profoundly I saw that only a handful could make a living of their talent and ladies and gentlemen this is still the same state of the Arts even today.
My observation of the state of the arts today was summed up in the post I read at the beginning of my speech and I could bet that this has also been your own personal observation of the state of the arts today.
The arts industry has to change and this is how we are changing things.
As we celebrate the change we are bringing, we will have 9 pre-parties and the final event which will be the 10th party.
The idea is after every 10K hats sold we host a party until we reach our target which is 100K bucket hats sold.
We are going to put all the money into building the arts industry; we are going to build structures that will support all the talent we have in this country.
You can be a part of this just by purchasing one bucket hat priced at P 200.00
The industry is going to change, as we are now entering into a new era of doing things, as we are now embarking on an industrial revolution, as we are now taking power into our own hands to change the lives of many who are dedicated to using their talents and passion to make a living.
Thank You.” – Bally
In Botswana, a wave of creativity has been sweeping through the semi-desert country, particularly in the digital content creation space, where video producers are taking center stage. These individuals are not only shaping narratives but also redefining entrepreneurship in the creative industry. Let’s take a look at some of the notable figures who are making waves in the country’s video production scene, offering insight for anyone keen on understanding what’s happening in this space or who to look out for. This isn’t a definitive list but rather an attempt to catalogue the creative culture and entrepreneurship space. Here goes:
Leo Gucci: With a rich background in music intertwined with a mastery of corporate video production and photography, Leo Gucci stands as a beacon of creative versatility. His portfolio spans a kaleidoscope of projects, each bearing the hallmark of his ingenuity and artistic flair.
Gonna Elvis: Renowned for his captivating street photography and impactful corporate work, Gonna Elvis is the driving force behind The Photographers, a visionary company dedicated to encapsulating Botswana’s essence through visual storytelling.
Local Corner: A dynamic powerhouse spanning music videos, corporate endeavors, and podcasting, Local Corner embodies the spirit of multifaceted creativity. Their collaboration with SCAR on a widely acclaimed podcast underscores their commitment to narrative exploration across diverse mediums.
Owen Bands: A luminary in the industry, Owen Bands has sculpted the visual identities of numerous emerging artists, shaping the landscape of Botswana’s music scene. His return to filmmaking heralds a new chapter marked by innovation and fresh perspectives.
Cyc Jouzy: Revered for his impeccable visual aesthetic and unwavering professionalism, Cyc Jouzy reigns supreme as a titan of music video production in Botswana. His extensive body of work serves as a testament to his dedication and mastery of the craft.
ReMmogo Visuals: Leading the vanguard of the new creative wave, Bokang of ReMmogo Visuals epitomizes the relentless pursuit of excellence. Through tireless collaboration and a steadfast commitment to quality, he has emerged as a trailblazer within the industry.
Neo Visuals: Exemplifying the pinnacle of professionalism, Neo Visuals brings a touch of sophistication to every project they undertake. Their prowess in corporate videography elevates Botswana’s visual storytelling to new heights.
Eyes of Bryce: Despite being a newcomer to the scene, Eyes of Bryce has swiftly carved a niche for themselves with their crisp visuals and innovative approach. Their collaborations with esteemed artists like Ozi F Teddy foreshadow a future brimming with promise and creativity.
Bone Buzae: A polymath of talent, Bone Buzae effortlessly transitions between music and content production, epitomizing the spirit of creative fluidity. His evolution from rapper to content creator embodies the entrepreneurial ethos that defines Botswana’s creative zeitgeist.
Mdu Tha Party: Leveraging his influence from radio to social media, Mdu Tha Party has cemented his status as a prolific content creator. His podcasts and vlogs serve as vibrant tapestries showcasing the diverse tapestry of Botswana’s talent.
Good Vision: With a background steeped in music and entrepreneurship, Tabz of Good Vision brings a wealth of experience to his video productions. His contributions to podcasts and media platforms have solidified his position as a luminary within the industry.
Azizi Golekanye: As the visionary founder of Renov8Media, Azizi Goleknaye spearheads Botswana’s foray into film and music video production. His commitment to innovation and quality has garnered accolades both locally and on the international stage.
Super Honorable Mentions:
- Jack Bohloko: Making waves in music videos internationally, Jack Bohloko represents Botswana’s talent on the global stage.
- Serena Mmifinyana & Nikita Mokwagre: Trailblazers in a male-dominated industry, these two pioneering women leave an indelible mark on film and multimedia, particularly in their work with Multichoice.
- Director Mo: Renowned for his collaborations with William La, Director Mo is a force to be reckoned with in the realm of visual storytelling.
- Thebe Radiakwana: With a background in film education from Beijing, Thebe Radiakwana’s directorial prowess knows no bounds.
- Shike Olsen: A pioneer in media ownership and music videos, Shike Olsen continues to push boundaries in the creative sphere.
- https://www.youtube.com/watch?v=6cgBRkSLLWg
- Moabo Mogorosi: A legend in the field of TV commercials, Moabo Mogorosi’s contributions to the industry are unparalleled.
- Smokie Mogapi: From music videos to TV shows, Smokie Mogapi’s creative journey is a testament to Botswana’s innovation and talent.
- Otsetswe Sedimo: As the founder of Torch Studios, Otsetswe Sedimo brings a unique perspective to corporate and music video production.
- Thabiso Maretlwaneng: Leading the charge with his company, Dee Zone, Thabiso Maretlwaneng is a powerhouse in the production industry, particularly with his work on “Pula Power.”
- Botlhe Trekbond: Based in Maun, Botlhe Trekbond’s wildlife videography captures the beauty of Botswana’s natural landscapes.
- Thalefang Charles: With a focus on photography for National Geographic, Thalefang Charles showcases Botswana’s diverse ecosystems on a global scale.
- New Look Studios: A TV production company based in Lobatse, New Look Studios is at the forefront of Botswana’s television industry.
In addition to these luminaries and honorable mentions, a constellation of other visionary creators shines brightly, each contributing their unique flair to Botswana’s rich tapestry of digital content creation. From international collaborations to grassroots initiatives, these individuals collectively embody the spirit of innovation and creativity that defines Botswana’s creative landscape. As the industry continues to evolve, their collective vision promises to illuminate new horizons and push boundaries ever further.
Backyard Stories, established in 2017 in the backyard of Broadhurst, Gaborone, blossomed into more than just a physical space. It became a haven—a sanctuary for music and community where rising artists are celebrated amidst an atmosphere of inclusivity and well-being. This unique haven distinguishes itself by being sober and smoke-free, fostering an environment where all, regardless of age or musical preference, can come together in mutual respect and shared passion. Picture it as a familial garden where music flourishes organically, free from distractions. Here, the focus is solely on the raw beauty of artistic expression, allowing even the youngest attendees to be captivated by the talent on display.
Music purity is the cornerstone of Backyard Stories, where the essence of artistry and storytelling takes precedence over external influences. It’s a space where musical legends are born, and where shared moments resonate deeply, leaving indelible memories that transcend time.
How does Backyard Stories specifically engage with local emerging talents, and what support structures are in place to propel them into the spotlight?
We are plugged into the community by attending Open mics and listen on Spotify, SoundCloud, Apple Music and to find hidden gems. We handpick promising artists and pair them with established names, amplifying their reach. We don’t stop there we provide each artist with a live band collaborations: Our resident band provides a pro backdrop for vocalists and songwriters to shine. Rehearsals with a twist: We don’t just practice songs, we craft show-stopping moments, collaborating with producers and artists to elevate their performance.
Maintaining a smoke-free environment is unique. How has this choice impacted the audience’s experience and the overall ambiance during performances?
Having an alcohol and smoke free event is greatly appreciated by our audience, and as a matter of fact, it surprisingly acts in favour of the show than against it. It’s one of the reasons why most people even are devoted followers of the show. I believe we’re at a place where young adults especially long for a place where they can enjoy themselves along with good company without the need to intoxicate themselves.
The concept of music purity is intriguing. Can you share examples of how this philosophy has influenced the style and content of the performances at Backyard Stories?
One of the pillars of backup stories is in Harnessing the power of storytelling. We can never underestimate the influence of an individual’s experiences on another human being, and sometimes that human being is a Standard 7 child that anxious about writing their PSLE or a inspired creative who can relate with the stories of the performing artists
Beyond celebrating rising artists, how does Backyard Stories curate a diverse range of musical genres to keep the audience engaged and intrigued?
Musical diversity is in the Backyard Stories DNA. A show without a fusion of some sort is not a show by our books. From the instrumentalist to the artist, the Backyard stories has dabbled in rnb, pop, splash, hip-hop, neo-soul, reggae, kwaito and motswako. We’re constantly testing the limits of various musical disciplines and it probably wont stop anytime soon.
In fostering a family-friendly space, what specific initiatives does Backyard Stories implement to ensure that even the youngest attendees can engage with and appreciate the music?
One of the elements that backup stories has developed is of picnic tables. This is a curated seating arrangement for the entire family that prioritizes comfort and a good viewing of performances with the youngest enjoying the complimentary refreshments.
Can you share instances of artists who have risen to prominence after being featured or supported by Backyard Stories, exemplifying the platform’s impact on local talent?
As an organiser, one of the things I’ve come to acknowledge is that the Backyard stories is a platform that has a lot of ground to cover in terms of growth and improvement. And yet is never ceases to astonish me at the level of impact it has on its artists. We’ve seen it with Stretch when he released yarona FM top charting hit song ‘Senti’ featuring Jasmine Ashley. we’ve seen it with Mandy, Oura, Pablo, Kesego and Deena G. Our hope is that as Backyard Stories we become a platform that grows as it’s impact.
How does Backyard Stories actively involve its audience, turning the space into a collaborative community where everyone contributes to the musical journey?
What the Backyard Stories is dearly trying to do is to create an environment where ideas and experiences could be easily shared. And this is not a one-way conversation but an entire dialogue that even the audience gets to be a part of until the end of the show. The performances are interaction-based both in song and conversation so as to instill a collaborative aspect even with audience
Considering the focus on unforgettable shared moments, are there plans to expand Backyard Stories through virtual experiences or collaborations with other artistic mediums?
Absolutely! Unforgettable shared moments are at the heart of Backyard Stories, and we’re always exploring ways to expand that beyond physical spaces. While we can’t reveal everything just yet, here are some hints: Interactive Livestreams: Beyond basic streaming, we’re looking at interactive elements that let viewers feel part of the show, like live Q&A sessions with artists, virtual mosh pits, and co-created visuals. Cross-Medium Collaborations: Music is just one piece of the story. We’re open to collaborations with other art forms like dance, visual arts, and storytelling to create richer, multi-sensory experiences, even virtually. These are just a few possibilities, and we’re excited to see where technology can take us in sharing unforgettable moments.
In terms of community impact, how does Backyard Stories contribute culturally, educationally, or socially beyond the realm of music celebration?
Music is our core, but Backyard Stories strives for a wider impact: Culturally: We celebrate diverse local artists and their stories, fostering cultural understanding and appreciation. Collaborations like BW ARCHIVES preserve our musical heritage for future generations. Educationally: We plan to partner with schools and community centers to nurture young talent and promoting music education. Socially: We believe music brings people together. We create spaces for diverse communities, and use music as a tool for social good. Beyond these, we’re constantly seeking new ways to contribute. We see Backyard Stories as a platform for connection, creativity, and positive change, using music as a catalyst for a better community.
Professor Doreen Ramogola-Masire, the Deputy Vice Chancellor for Research and Enterprise at the University of Botswana, highlighted the significance of collaborations and knowledge sharing in the University’s strategy to shape the future for the knowledge generation. She made these remarks during a roundtable discussion held at the University’s council chambers, focusing on “Advancing STEM Education and SMART Infrastructure Development for Youth Empowerment in Africa.” The event celebrated the successful completion of the YAL SMART innovative boot camp by the Young African Leaders.
The roundtable discussion was a key part of the YAL SMART academic research project, which received funding from the Alliance for African Partnership. The official title of the project is “US-Botswana collaborative research on youth development and education: SMART Infrastructure and mobility innovation for resilient community health.” Michigan State University leads the project, with the University of Botswana and knowledge management company Infers Group acting as project partners.
The discussions delved into exploring the relationship between infrastructure advancement and its impact on growth, youth empowerment, entrepreneurship, education, community resilience, and development. The participants leveraged innovative approaches, accessible technology, and a leapfrogging model to enhance local infrastructure not only in Botswana but also across Africa.
Professor Doreen Ramogola-Masire emphasized that their office’s primary focus is on facilitating, supporting, and advocating for research that spans across regions and has international relevance.
EVERYONE IS OUR AUDIENCE – Dr. NIZAR LAJNEF
Dr. Nizar Lajnef, the Principal Investigator from Michigan State University, emphasized that a country’s economy thrives on its infrastructure and, most importantly, the health and well-being of its population. The YAL SMART project is specifically geared towards addressing these aspects, with a strong emphasis on the youth, who are the future innovators capable of driving advancements in technology and innovation.
Distinguished speakers graced the roundtable discussion, which was skillfully moderated by Setho Mongatane, the host of Gabz Fm’s Breakfast in HD. Among the notable speakers were Professor Leapetswe Malete (Co-Principal Investigator, Michigan State University), Dr. Phillimon Odirile (Principal Investigator, University of Botswana), Mr. Diane Mongudi (CEO, Botswana Digital and Innovation Hub), Dr. Fernando Siamisang (Director of Human Resource Development Planning at HRDC), Dr. Gloria Somolekae (BIDPA), as well as representatives from the Ministry of Youth, Gender, Sport, and Culture, UB office for research and development, and the UB Department of Public Affairs, along with associated University Faculties.
For media inquiries, additional materials, and further information, please contact:
Leroy Nyoni Email: nyonileroy@yahoo.com Cell: +267 75084838 Whatsapp Link: https://wa.me/26775084838
